Oil On Canvas, Real Flavor of Old Masters

All Jan Josef Horemans the Elder 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
87021  
Boys' school, Jan Josef Horemans the Elder
  		 Boys' school   oil on canvas, 40 x 35 cm Date 18th century cjr
78500  
Catherine II of Russia in the mirror, Jan Josef Horemans the Elder
  		 Catherine II of Russia in the mirror   ca. 1793(1793) Medium Oil cyf
70529  
Concert in an Interior, Jan Josef Horemans the Elder
  		 Concert in an Interior   Medium Oil on canvas Dimensions 120 x 108 cm
2402  
Garden with Figures on a Terrace, Jan Josef Horemans the Elder
  		 Garden with Figures on a Terrace   1735 Rex A.L.Cohen Collection, London
91745  
Girls school, Jan Josef Horemans the Elder
  		 Girls school   oil on canvas, 40 x 35 cm Date 18th century cyf
70929  
Marriage Contract, Jan Josef Horemans the Elder
  		 Marriage Contract   Medium Oil on canvas Dimensions 112 x 108 cm
77756  
Portrait of Maria Anna of Bavaria, Jan Josef Horemans the Elder
  		 Portrait of Maria Anna of Bavaria   Date 1604(1604) Medium Oil on canvas cyf
78666  
Portrait of Maria Anna of Bavaria, Jan Josef Horemans the Elder
  		 Portrait of Maria Anna of Bavaria   1604(1604) Medium Oil on canvas cyf
71775  
Tea Time, Jan Josef Horemans the Elder
  		 Tea Time   18th century Oil on canvas 51 x 58 cm
Jan Josef Horemans the Elder
1682-1759 Dutch Jan Josef Horemans Galleries He was a pupil of the sculptor Michiel van der Voort I and then of the Dutch painter Jan van Pee (before 1640-1710), who was active in Antwerp. Horemans joined the Guild of St Luke in 1706-7. He appears to have followed in the footsteps of the 17th-century Flemish genre painters, executing a few portraits and a large number of small anecdotal pictures that were highly prized on the market. In paintings such as the Village School and the Cobbler's Shop (both 1712; Vienna, Ksthist. Mus.), the Musical Company (1715; Brunswick, Herzog Anton Ulrich-Mus.) and the Card-players (Florence, Uffizi) he represented scenes from contemporary everyday life that combine observation with a certain degree of stiffness. Most of his paintings are signed. In 1746, together with his son Jan Josef Horemans II, he painted the Abbot of St Michel Visiting the Order of the Fencing Oath (Antwerp, Kon. Mus. S. Kst.).



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